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Howards End (Penguin Twentieth-Century Classics)

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Review

With a new Introduction by James IvoryCommentary by Virginia Woolf, Lionel Trilling, Malcolm Bradbury, and Joseph Epstein"Howards End is a classic English novel . . . superb and wholly cherishable . . . one that admirers have no trouble reading over and over again," said Alfred Kazin.First published in 1910, Howards End is the novel that earned E. M. Forster recognition as a major writer. At its heart lie two families—the wealthy and business-minded Wilcoxes and the cultured and idealistic Schlegels. When the beautiful and independent Helen Schlegel begins an impetuous affair with the ardent Paul Wilcox, a series of events is sparked—some very funny, some very tragic—that results in a dispute over who will inherit Howards End, the Wilcoxes' charming country home. As much about the clash between individual wills as the clash between the sexes and the classes, Howards End is a novel whose central tenet, "Only connect," remains a powerful prescription for modern life."Howards End is undoubtedly Forster's masterpiece; it develops to their full the themes and attitudes of [his] early books and throws back upon them a new and enhancing light," wrote the critic Lionel Trilling.

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About the Author

Edward Morgan Forster was born in London in 1879. He wrote six novels, four of which appeared before the First World War, Where Angels Fear to Tread (1905), The Longest Journey (1907), A Room with a View (1908), and Howard's End (1910). An interval of fourteen years elapsed before he published A Passage to India. It won both the Prix Femina Vie Heureuse and the James Tait Black Memorial Prize. Maurice, his novel on a homosexual theme, finished in 1914, was published posthumously in 1971. He also published two volumes of short stories; two collections of essays; a critical work, Aspects of the Novel; The Hill of Devi, a fascinating record of two visits Forster made to the Indian State of Dewas Senior; two biographies; two books about Alexandria (where he worked for the Red Cross in the First World War); and, with Eric Crozier, the libretto for Britten's opera Billy Budd. He died in June 1970.

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Product details

Paperback: 336 pages

Publisher: Penguin Classics; Reprint edition (April 1, 2000)

Language: English

ISBN-10: 014118213X

ISBN-13: 978-0141182131

Product Dimensions:

5 x 0.6 x 7.7 inches

Shipping Weight: 7.8 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

770 customer reviews

Amazon Best Sellers Rank:

#331,504 in Books (See Top 100 in Books)

A Room with a View is a great novel that offers insight into society during the early twentieth century. From the beginning of the book, Lucy Honeychurch, the protagonist, is torn between what is socially acceptable. This is illustrated by the love triangle between Lucy, George (her true love), and Cecil (her fiancé). George is of a lower class than her, and yet, he is the one she truly loves. Cecil is her pretentious, upper class fiancé who would rather protect her than be her equal. Will she choose George, whom is of a lower social class than her, or Cecil, the socially acceptable wierdo? The themes of love and social status are forever present in the novel. The book is made even more enjoyable by the dry humor employed by E.M. Forster. He is so serious and sarcastic whenever he makes jokes, it makes the book all the better. I found myself loving the book mainly because of how relatable Lucy is. She is a young women trying to find herself in the midst of social pressures. Overall, I thought the book was amazing and would definitely recommend it.

Good grief, this has been my second and possibly third reading of this work (This is over quite a number of years and my long term memory is beginning to fail me...sigh), and I must say that I enjoyed it as much this go-around as I did the first. There is something about this work that simply appeals to me.Now this is not to say that it will be on every readers most favored list - no, far from it, and this is how it should be. For me thought it is an excellent read and if I last longer I will most likely read it again on down the road.This is one of those tales that touches on a wide range of the general overall human condition. It should also ne noted here that the time element covered by this novel is 1908 which is pre WWI and it IS NOT taking place during the `Victorian era' of which several reviewers have stated. No, we are talking the Edwardian era in England and while some of the morals and morays of Victorian times still linger, it is never the less a different age completely. This must be understood to understand the story.Anyway, back to the subjects covered in this work: Love, prejudices, betrayal, strong but understated humor, a snapshot of a previous era, sociological observation of the English upper middle class and of course the clashes of culture; of the rather painful differences between the perceived social classes in England at that time. It also investigates the dilemma of `self' v/s the expectations of society and family. All in all, if you look at it a certain way, not much has changed over the years and the issues addressed in this classical work are still strongly among us even to this day. It takes a long, long time for attitudes in society to fade. I know in my own case that I was raised very closely to grandparents who were as about as Edwardian as you can get and there is no doubt that their influence had a great deal in molding my personality and attitudes...for better or for worse. (Hey, I am old and yes, I can remember people of that generation quite well).We have a young lady; a young lady with brains, even though she does not realize it at the time, who is motivated and pulled apart by her true feelings and those feelings that she is either suppose to have or not suppose to have in a number of situations.Yes, the author has used a number of what we could consider stereotypes of the time but he has used them to good effect and used them to tell his story quite well. While this may bother some folks, I found it to make the overall story more understandable and easier to `go down.'This work starts in Italy and drifts back to England and again, to understand the story, you have to have some understanding of the cultural gap between England and the continent in those days. Good or bad, it was what it was.Few will deny that this is a well written work...it may not be to every ones taste, as I have stated, but good is good by most standards. I can get quite lost in the author's narrative prose and descriptive writing.I was delighted to see that this work is now free via your reading machines...it was about time.Don BlankenshipThe Ozarks

This is one of my favorite books. I read it right after watching the movie. I love both. I am a fan of E.M. Forster. This was my 1st, but I have since read most of what he has written. I would say he is one of my all time favorite writers, up there with Jane Austen, and J.K. Rowling. I tend to like either Romance or fantasy/Sci fi. E.M. Forster delivers on Romance. It is true, his books may move a bit slow for some. I prefer it. I feel like I get to know the characters in a more personal way, when I see more of their day to day in the pages. This one moves faster than his others, and is the most cheerful of all his books.The characters are written so well. Lucy is our slightly bratty main character. The mother and the brother are sweet. I love Mr Beebe: the very liberal vicar. I love George and his father. Both are romantic, manly characters. Cecil is clueless but still entertaining and lovable. I love the mischievous romance novelist. I love the Miss Alans, who I am probably most like, in the story,("tiresome... with all of their iffing and butting.") I especially love that you are still able to love all of the characters despite quite obvious flaws. None of them are one dimensional characters. They all have their bright points and redeeming characteristics. Just thinking about this book makes me smile. SPOILER: My favorite line:....................................................................................................... "It is Fate, but you can call it Italy if it pleases you Vicar."

This is another absolute gem from Forster; writing, characters and story extremely good. His common themes of class and love and a changing England get a new layer of scandal and modernity that was simultaneously surprising and absolutely natural. He was able to write in the house as a character in such a way as I was transported and didn't want to leave in a hurry. Beautiful.

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Download PDF Les éditions musicales publiées à Bruxelles au XVIIIe siècle (1706-1794): Catalogue descriptif et illustré (Études de Musicologie/Musicological Studies) (French Edition), by Marie Cornaz

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Les éditions musicales publiées à Bruxelles au XVIIIe siècle (1706-1794): Catalogue descriptif et illustré (Études de Musicologie/Musicological Studies) (French Edition), by Marie Cornaz

About the Author

L’auteur : Marie Cornaz, docteur en Philosophie et Lettres et agrégée de l’Enseignement supérieur (Université Libre de Bruxelles), est conservatrice des collections musicales de la Bibliothèque royale de Belgique. Ses travaux concernent l’étude des sources musicales manuscrites et imprimées conservées dans les collections belges ainsi que la vie musicale en Belgique du XVIIIe siècle à nos jours.

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Product details

Series: Études de Musicologie/Musicological Studies (Book 2)

Paperback: 321 pages

Publisher: P.I.E-Peter Lang S.A., Éditions Scientifiques Internationales; 1 edition (December 2, 2008)

Language: French

ISBN-10: 9052014809

ISBN-13: 978-9052014807

Product Dimensions:

8.7 x 5.9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#2,159,953 in Books (See Top 100 in Books)

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Ebook Download Amateur Telescope Making (The Patrick Moore Practical Astronomy Series)

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Review

From the reviews"... Stephen Tonkin (has) added a worthy contribution to the collective wisdom of amateur astronomy ...." SKY & TELESCOPE   SKY & TELESCOPE"…Tonkin has assembled a potpourri of excellent do-it-yourself projects, ranging from small refractors and simple rich-field telescopes to large instruments with tilted-component optics and a high-performance, home-built, computer-controlled telescope…will appeal strongly to mid-level amateur astronomers, whether they are equipment buyers or builders. Novices should find much to marvel at, and advanced amateurs will appreciate the useful and timely insights into the current technology of telescopes and sensors…[a] worthy addition to the ever-growing literature of telescopes and telescope making.” REVIEWS OF ASTRONOMICAL TOOLS"The book is a nice collection of interesting ideas on telescopes and accessories for the do-it-yourself astronomer.” NEW SCIENTIST"For advice on how to get going, look no further than two excellent books – AMATEUR TELESCOPE MAKING and ASTRONOMICAL EQUIPMENT FOR AMATEURS…Highly recommended.”

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Product details

Series: The Patrick Moore Practical Astronomy Series

Paperback: 260 pages

Publisher: Springer; 1999 edition (December 11, 1998)

Language: English

ISBN-10: 1852330007

ISBN-13: 978-1852330002

Product Dimensions:

6.1 x 0.6 x 9.2 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#2,373,165 in Books (See Top 100 in Books)

If you want to build your own mirror and telescope step-by-step with mirror grinding techniques you'll need another book. This book shows how the user should build a telescope but don't explains in details how the user can achieve such results. This book is good for someone which needs know a bit more about telescope's mounting and projects and had built their telescope already. You can use it as a manual, getting useful tips with it. :-/

The book is not a clear, step by step book. It could stand major revisions.

great for building ideas.

As with other books I have read about telescope making, the writer chooses to focus on mirror grinding principles and on his own projects. The lack of basic formulas to constructing telescopes is very disapointing. Nevertheless it is a very good book to read for those who already have the basic skills and are probably moving to their second or third project. So as I claim in the title... I believe this book is for "semi - amateur" telescope builders!

A very interesting book.

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About the Author

BrownTrout Publishers, Inc. is an independent publishing company founded in 1986 and headquartered in El Segundo, California. Specializing in high-quality printed products utilizing recycled paper and eco-friendly soy-based inks, BrownTrout is the largest creator and distributor of calendars and seasonal products worldwide. Our products are available at the finest retailers. Visit our website, browntrout.com, for more details about our company and the wide and varied range of items we offer. BrownTrout Publishers, Inc. - The Calendar Company

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Product details

Calendar: 28 pages

Publisher: BrownTrout Publishers; Square 12x12 edition (June 1, 2018)

Language: Multilingual

ISBN-10: 1975400003

ISBN-13: 978-1975400002

Product Dimensions:

11.8 x 0.2 x 11.8 inches

Shipping Weight: 9.3 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#322,212 in Books (See Top 100 in Books)

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, by Karen Armstrong


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, by Karen Armstrong

Product details

File Size: 1675 KB

Print Length: 474 pages

Publisher: Ballantine Books; 1 edition (August 10, 2011)

Publication Date: August 10, 2011

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B005DB6NCA

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Interesting information; not entirely accurate. Firstly, current times are not the first time that religion has been through a fundamentalist shift although she reports that it is. Secondly, she takes the word/opinion of other researchers who are prejudiced about the areas they report upon. That makes her book unreliable in the particulars but interesting information in general. Just pay attention to where she is getting the opinions she repeats, especially in the Middle East.

As a historical overview the author looks at specific people who have been fundamentalist activists, particularly in Israel, Iran, Egypt and the USA. There are many religious terms described in an extensive glossary. I learned masses about different strands of Islam and Judaism. The book is a useful guide to understanding some roots of Middle Eastern conflicts.Much more could be written about the sweeping glimpses of history - thankfully I read the book on a Kindle so could look up some of the rarely used words in an online dictionary and delve into concepts in Wikipedia. The extensive bibliography provides more reading to complement this excellent book.

Another enlightening book from Karen Armstrong on religion. This one focuses on the emergence in recent years of powerful -- and politically powerful -- fundamentalist trends in the three great monotheistic religions. She presents these not as a reversion to the past, but as an attempt to deal with a frightening modern world. The world is frightening in a philosophical sense, since the interlinked Enlightenment trends of rationalism, devotion to science, and secularism have created what Sartre called "a God-shaped hole" in modern society, without fulfulling the Enlightenment expectation of better people. It is also frightening in political terms: the horrors of the 20th century, the impact of colonialism, and the current power of what is called free market capitalism have left millions of people feeling marginalized, threatened, and without any clear identity. In this context, the emergence of simplistic fundamentalism with clear beliefs and clear directives is not surprising.It has also had a profound political impact, unleashing terrorism for allegedly Islamic ends, pushing the U.S. consensus sharply to the right, and enflaming the Israeli/Palestinian dispute. In all three instances, Armstrong points out, there are massive conflicts within religious groupings as well as between them, so much so that as Armstrong says "Secularists and religious both feel profoundly threatened by one another". and are unable to understand the other side's world view as anything other than derangement. Armstrong raises the question of what is to be done to defuse these conflicts, but does not come up with many helpful answers. Perhaps there are not any

Armstrong's opening line summarizes the theme of her book. "One of the startling developments of the late 20th century has been the emergence within every major religious tradition of a militant piety known as fundamentalism." She doesn't set off on an attack of religion, but rather explains in her view why this has taken place. In short, her answer is, a reaction to modernity. In part, modernity in terms of excess secular rationalism encroaching on spiritual matters where "analysis" doesn't belong, mostly unintentionally, and even by the pious as influenced by the larger society. The result being a listlessness of civilizations defined by what Nicholas Humphrey ("A History Of The Mind") characterizes as too much perceptual and too little sensory, with little space for the soul. This is not to say she'll fill the pious with joy, after all, she says, "A literal reading of Scripture is a modern preoccupation springing from the prevalence of rational over mythical interpretation." Such interpretations then force a militant stance on Scriptural literalism in the face of criticism revealing Scriptures laced with contradictions (when read literally).Students of civilizations will find thrilling Armstrong's notion we are in a 2nd Axial Age. All over the globe people are struggling with new conditions, says Armstrong, forced to reassess their religious traditions designed for entirely different types of societies. That is, for agricultural, not urban societies. She argues the first Axial Age (700BCE - 200BCE) was similarly transitional. At least in the manner of accumulating stress over thousands of years of social, cultural and economic change, all beginning with Sumer and its invention of the city (the wheel, writing, etc.). Compare thousands of years of accumulating change to the upheavals now witnessed where whole civilizations rise, globalize, and fall in 72 years (USSR). Technology, with almost no idea of what problems it will breed, and these fiercely dislocating financial machinations are too rapid for humans well suited for hunter gatherer groups of 25 individuals (as Richard Leakey claims), not a planet crammed with 7 billion of us. Armstrong notes that change at a slower pace, or none at all for generations, was once addressed by religion born from and suited for that era without the challenge of scientific criticism and such a fierce pace of technological pressure. While some have tried to withdraw from the secular world (not unlike that classic example of the Essenes), she says, there's no getting away from it.Armstrong chronicles a list of offenses, response and counter response over the last 400 years for all three Levantine religions. Unlike countermeasures in weaponry, reaction of the social organism takes much longer - generally on the order of at least a half century or more. Such spans seem to be required before populations are able to realize their condition, articulate and maneuver in any meaningful way. The 1926 Skopes trial and America's fundamentalist response begun in the 1970's is presented as one example. A fundamentalism Armstrong observes has nothing to do with earlier forms of religious faith, but is rather a new form in which modern science-like interpretations of religion (otherwise known as Creationism) are used to counter modern science-like criticisms of religion. Armstrong seems to have heard of neither Marcel Gauchet ("Disenchantment Of The World") or Joseph Campbell, who both shed added light on this subject with more on political and mythological aspects respectively.Armstrong not infrequently conflates any form of human hostility since the 16th century with rational modernity. Ethnic cleansing, aggressive force, and abuse of power are hardly new to our world, though one might argue we are provided another avenue over which humans can practice these favored pastimes. Similarly a scent of our Postmodernist fashion occasionally rises from her pages in the usual manner of vilifying the West while lauding other groups for precisely the same acts. "Establishment" of three Islamic Empires (Ottoman, Safavid, Moghul) were to Armstrong "exciting and innovative", not "violent and imperialistic". A generally fine book, occasionally tedious with repeated use of Arabic or Hebrew terminology, and finally a reasoned explanation for the secular among us who view fundamentalist forms of pious behavior as so odd. An excellent text for scientist Michael Dawkins and comedian Bill Maher offering them an opportunity to lose some of that smugness.

The Battle is not just over the property rights: What religion or sect owns the right to define God and interpret his will for all of humanity? This is the battle for the very soul of the United States of America. Are we to govern ourselves by democratic political philosophy and its European Enlightenment underpinnings? Or are we to be ruled by a bunch of superstitious and bigoted theocratic thugs and the specter of witch-hunts, pogroms and social cleansing.

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