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Series: Snow White with the Red Hair (Book 1)

Paperback: 200 pages

Publisher: VIZ Media LLC (May 7, 2019)

Language: English

ISBN-10: 1974707202

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Listening Length: 14 hours and 32 minutes

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Emotions. We all have them. We assign them to inanimate objects like cars - "It's too cold outside. The poor girl is feeling rough this morning.". We assign them to animals - "You certainly are looking guilty for tearing up the trash can, Boomer!" But what ARE emotions? Why do some people feel them more intensely than others? Can you learn emotions? Can you unlearn emotions?Probably the one thing the author tries to get across to the reader is that people have preconceived notions and ideas about what emotions are, how people should or should not experience them, what it looks like when someone feels an emotion, etc. Dr. Barrett wants the reader to these notions aside and see emotions not as a "thing", because that isn't what they are. Emotions just, well, are. No two people experience emotions the same way. No two cultures experience them the same way. What we see and experience as happiness here in America (laughing out loud, broad smiles with teeth showing, buoyant displays, etc.) are normal for us, but for another culture like the Japanese they are much more reserved (polite chuckles, smiling without showing teeth, hands over mouths if they do smile widely, etc.). Is there way of experiencing emotions wrong? Absolutely not, it's just different.The author also delves into just how deeply the mind and body are connected. She mentions how self-help books tend to focus only on the mind, on trying to master emotions. The problem is, these books tend to overlook the significant role the body (or "body budget") plays in our emotions. Did you know that 30% of ALL medications taken in the US are to treat negative emotions? Thirty. Percent. The trouble is, when these medications are prescribed, the doctor and the patient rarely take into account what signals the brain is receiving from the body and how out of whack your body budget is. The author also postulates that this is one reason some people turn to drugs and/or alcohol. Rather than treating the reason their body and emotions are misfiring, they use chemicals to trick the mind and body into thinking and feeling like everything is okay. She doesn't claim that medications to help with emotions and feelings like depression, bi-polarism, schizophrenia, and others, but Dr. Barrett does advise, even while she says "I suddenly sound like your mother, that "there is no substitute, biologically speaking" for "eating healthfully, exercising, and getting enough sleep." Following chapters go even further into just how deeply the body and mind are intertwined, and I have to admit the hypotheses she puts forth in this book are utterly fascinating.It sounds odd, but one of the best parts of the book for me was the bibliography. If you enjoyed reading this book by Dr. Barrett, then the bibliography is going to be the unexpected free gift with purchase. Please, please, please take the time to go through every reference for this book. If not,you will miss such incredible books like 'Madame Secretary: A Memoir' by Madeleine Albright or 'Animal Wise: How We know Animals Think and Feel' by Victoria Morrell. Since finishing 'How Emotions are Made", I've already read these two and have ordered three more. A good number of the references are from medical journals, but those are pretty easy to find online. Don't be surprised if you also come away with a new found interest in other aspects of the human mind and body, such as how gut microbes and how science is learning just how large and extensive a role they play in our lives.Many times books about medical subjects are so dry and technical that it's a chore to even get through the introduction, let alone the whole book. Dr. Barrett's book doesn't 'dumb down' the science for the readers, and she also doesn't litter every sentence with technical and medical terminology. the best way to describe her voice is as if you are in a class with your favorite teacher. Your teacher comes up with easy to comprehend analogies and comparisons so that the whole class understands the subject of the lecture - not just the top students in the class. Your teacher is also passionate about the subject, speaks with great animation, and your attention on their words is so rapt that you forget that you should be taking notes. At the end of the lecture, you feel a bit disappointed that it's over but you are now really interested and excited about the subject and head for the bookstore to see what other books you can find on the subject. THIS is the kind of style Dr. Barrett writes in, and the exact kind of feeling she invoked in this reader. I admit that I have always enjoyed books (even textbooks) about the mysteries of the mind (human or animal) and body, so this book was a no-brainer (no pun intended) to read. 'How Emotions Are Made' is not a fast read, but it is definitely a worthy one.

This book is about emotions, but, the setup work of describing how the brain works was more interesting to me. I love the idea that we Experience our Constructed Model of the World as Reality. The other big ideas are: Constructed Emotions, Body Budgeting, Affective Realism, Social Reality (as a Super Power), and the Interoceptive System. There is a lot to unpack here. And, there are a few nits, too. Some of this is my spin on what the book says.Since my lens is Consciousness, the idea of the Model as Reality is the key to the book FOR ME. This ia a fragment of text that needs a lot of set-up. And the set-up needs set-up, too. So, the set-up and this text are repeated near the end. Obviously, the book leads you into this gently.p287: "From these three inevitabilities of the mind, we see that construction teaches us to be skeptical. Your experiences are not a window into reality. Rather, your brain is wired to model your world, driven by what is relevant for your body budget, and then you experience that model as Reality..."Also, very current about unlearning implicit bias, aka, Training the Elephant: "It is your responsibility to learn concepts that, through prediction, steer you away from harmful actions."Barrett goes into a lot of detail on a set of concepts that all have to do with modelling Reality. They are: Concepts (the model), Simulation (running the model), Prediction (using the model), Error Correction (tweaking the current categorization and/or the Concept). [jch] Our mental model is a "deep learning" model and categorization similar is "inference" in deep learning lingo, except deep learning does not have the simultaneous predictions...Prediction: (See Also: Clark's Surfing Uncertaintity)p59: "Though prediction, your brain constructs the world you experience. It combines bits and pieces of your past and estimates how likely each bit applies in you current situation."p62 "Through prediction and correction, your brain continually creates and revises your mental model of the world. It's a huge ongoing simulation that constructs everything you perceive while determining how you act..."p64 "When prediction errors occur there are two general options:" 1) change prediction or 2) filter sensory input to match prediction (Affective Realism, aka, implicit bias)I'd add 3) Throw the prediction error to consciousness. Perhaps that would be considered "Experiential Blindness".Barrett's Concepts are VERY SIMILAR to Bor's. Chunking. The "bits and pieces" packaged up into easily retrievable bundles.p29: "Every moment that you are alive, your brain uses concepts to simulate the outside world. Without concepts, you are experientially blind, as you were with the [ visual anomaly ] . With concepts, your brain simulates so invisibly and automatically that vision, hearing, and your other senses seem like reflexes rather than constructions."Constructed Emotions: emotions are concepts and the finer the granularity of your concepts, the easier it is to feel what you're feeling. It is more efficient.p67: "Usually, you experience interception only in general terms: those simple feelings of pleasure, displeasure, arousal, or calmness [mentioned earlier] Sometimes, however, you experience moments of intense interoceptive sensations as emotions. That is a key element of the theory of constructed emotion.In every waking moment, your brain gives your sensations meaning. Some of those sensations are interoceptive sensations, and the resulting meaning can be an instance of an emotion."p35: "The theory of constructed emotion incorporates elements of all three flavors of construction. From social construction, it acknowledges the importance of culture and concepts. From psychological construction, it considers emotions to be constructed by core systems in the brain and body. And from neuroconstuction, it adopts the idea that experience wires the brain."Barrett spent the early part of her PhD work trying to detect the "signatures of emotions" for the universal emotions, which was and still is the commonly accepted view. She could not find them. Instead, she started thinking in terms of population thinking. Each instance of anger is unique, based on habit and circumstance.On p 138, Emotions are 1) to make meaning - to understand one's state is more efficient, 2) prescribe action, 3) regulate your body budget to prepare for said action. These 3 are about you. Two other functions: emotional communication and social influence.Social Realityp134. "Emotions become real to us through two human capabilities that are prerequisites for Social Reality. First, you need a group a people to agree that a concept exists, such as "Flower" or "Cash" or "Happiness". This shared knowledge is called collective intentionality. Most people barely think about collective intentionality, but it nevertheless is a foundation of every society. Even your own name is made real through collective intentionality."p135. "Collective intentionality is necessary for social reality but not sufficient. Certain non-human animals are capable of a rudimentary form of collective intentionality without social reality. Ants work together toward a common activity, as do bees. ... Humans are unique, however, because our collective intentionality involves mental concepts. We can look at a hammer, a chainsaw, and an ice pick and categorize them all as "Tools," then change our minds and categorize them all as "Murder Weapons" We can impose functions that would not otherwise exist, thereby inventing reality. We can work this magic because we have the second prerequisite for social reality: language. No other animals have collective intentionality combined with words."Body BudgetBody Budget is a term that is purposefully vague, but it works. Your brain minimizes the amount of energy it expends. It can refer to body budgeting regions, metabolism, psychological well being. The lab just published: Evidence for a large-scale brain system supporting allostasis and interoception in humans_ in Nature, Human Behavior. Ian R. Kleckner.p200: Your body budget fluctuates normally throughout the day, as your brain anticipates your body's needs and shifts around your budgetary resources like oxygen, glucose, salt, and water. When you digest food, your stomach and intestines "borrow" resources from your muscles. When you run, your muscles borrow from your liver and kidneys. During these transfers, your budget remains solvent.Affective RealismAffective Realism is a step past implicit bias. The Reality we see/hear is shaped by our affect.p79: "You might believe that you are a rational creature, weighing the pros and cons before deciding how to act, but the structure of your cortex makes this an implausible fiction. Your brain is wired to listen to your body budget. Affect is in the driver's seat and rationality is a passenger. It doesn't matter whether you're choosing between two snacks, two job offers, two investments, or two heart surgeons your everyday decisions are driven by a loudmouthed, mostly deaf scientist who views the world through affect-colored glasses."InteroceptionExteroception are the senses vision, hearing, etc. Interoception senses our internal state.p73: "Interoception is a fundamental feature of the human nervous system, and why you experience these sensations as affect is one of the great mysteries of science. Interoception did not evolve for you to have feelings but to regulate your body budget. It helps your brain track your temperature, how much glucose you are using, whether you have any tissue damage, whether your heart is pounding, whether your muscles are stretching, and other bodily conditions, all at the same time. Your affective feelings of pleasure and displeasure, and calmness and agitation, are simple summaries of your budgetary state. Are you flush?Are you overdrawn?Do you need a deposit, and if so, how desperately?Experiencing our Constructed Model of the World as RealityNow, hopefully this makes sense. Perhaps, as my wife says, this is obvious to everyone, but, to me, it's a great model for consciousness.p283: "Affective Realism, the phenomenon that you experience what you believe, is inevitable because of your wiring. The body budgeting regions ... are the most powerful predictors in your brain, and your primary sensory regions are eager listeners. Body budget predictions are laden with affect, not logic and reason, are the main drivers of your experience and behavior."p284: "Affective Realism is an inevitability, yet you are not helpless against it. The best defense against it is curiosity...""The second inevitability of the mind is that you have concepts, because the human brain is wired to construct a conceptual system.""The third inevitability of the mind is social reality." ... The social world becomes real.p287: "From these three inevitabilities of the mind, we see that construction teaches us to be skeptical. Your experiences are not a window into reality. Rather, your brain is wired to model your world, driven by what is relevant for your body budget, and then you experience that model as Reality..."We are responsible for our actions. Sure, your brain made you do it, but, "It is your responsibility to learn concepts that, through prediction, steer you away from harmful actions." We all need to "Train the Elephant" in Haidt's rider and the elephant metaphor.p155 "If you grow up in a society full of anger or hate, you can't be blamed for having the associated concepts, but as an adult, you can choose to educate yourself and learn additional concepts. It's certainly not an easy task, but it is doable. This is another basis for my frequent claim, "You are an architect of your experience?" You are indeed partly responsible for your actions, even so-called emotional reactions that you experience as out of your control. It is your responsibility to learn concepts that, through prediction, steer you away from harmful actions. You also bear some responsibility for others, because your actions shape other people's concepts and behaviors, creating the environment that turns genes on and off to wire their brains, including the brains of the next generation. Social reality implies that we are all partly responsible for one another's behavior, not in a fluffy, let's-all-blame-society sort of way, but a very real brain-wiring way."Nits.Granted, I am not the target for this book. I have read a lot of books and papers on Consciousness. This book is aimed at a much wider audience and I hope it does really well. For the most part, Barrett does a good job balancing between abstraction and complexity and dumbing the subject down. One example of dumbing it down too much is when she discusses to Damasio and the loss of a specific brain region at that point, just name the orbitofrontal context.1) Terminology - intrinsic networks (p58), which is way too vague. The term Intrinsic Brain Network get 1.5M gaggle hits, while Large Scale Brain Networks (LSBN) gets 9.7M hits. Why not use the more decriptive and more widely used term?Another example, Theory of Mind is the widely used term for figuring out intentions, beliefs, etc of other people. She uses mental inference. If you are going to use a different term, use a more explicit term.Interception system would be better than interoception network. If the default mode Network is a part of it and the brain network concept is well established, don't add another layer of networks. No mention of Vagus Nerve..Barrett refers to brain regions as if they were homogeneous "brain blobs". If all nodes in a network are homogeneous, then the intelligence would live in the routing tables, and downplaining the regions would be fine. HOWEVER, cytoarchitecture makes it clear that the different nodes have different processing capabilites. So the brain regions are as important as the network topology and they should be identified if it is relevant.Universal Emotionsp173: So when the classical view [ of emotions ] reasserted itself in the 1960s, half a century of anti-essentialist research was swept into history's dustbin. And we are all the poorer for it, considering how much time and money are being wasted today in pursuit of illusory emotion essences. At press time, Microsoft is analyzing facial photographs in an attempt to recognize emotion. Apple has recently purchased Emollient. . . Google . . ."What? If emotions are not essences, not purely physiological, then it is a waste of time to detect them? Since language is learned, is it a waste of time to do speech recognition? What if the core emotions are not inherent physiologically, but, they are nearly universal because part of the Social Reality so early that they are nearly universal. They are like Proto-Indo-European roots.Another nit, she uses "scientists say" too much, as if everyone agrees with her.Nerdly nit: p129 "We only experience red when light of 600 nanometers reflects off of an object". If you are reading a screen and there is red on it, that is being emitted, not reflected.So, if you are well read in neuroscience, it may be a little distracting in some places, but, it was a lot of new material for me and SO worthwhile!!!

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Paths to Victory: A History and Tour Guide of the Stone's River, Chickamauga, Chattanooga, Knoxville, and Nashville Campaigns (Civil War Campaigns Series), by Jim Miles


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Paths to Victory is the story of the Civil War in Middle Tennessee and northwest Georgia beginning with the battle of Stones River on December 31, 1862. Includes a series of driving tours that enable readers to see the battlefields and important sites.

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Series: Civil War Campaigns Series (Book 4)

Paperback: 187 pages

Publisher: Rutledge Hill Pr (December 1, 1991)

Language: English

ISBN-10: 1558531262

ISBN-13: 978-1558531260

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David Copperfield (Penguin Classics), by Charles Dickens Jeremy Tambling

Review

"The most perfect of all the Dickens novels."--Virginia Woolf

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About the Author

Charles Dickens was born on February 7, 1812, in Landport, Portsea, England. He died in Kent on June 9, 1870. The second of eight children of a family continually plagued by debt, the young Dickens came to know not only hunger and privation,but also the horror of the infamous debtors’ prison and the evils of child labor. A turn of fortune in the shape of a legacy brought release from the nightmare of prison and “slave” factories and afforded Dickens the opportunity of two years’ formal schooling at Wellington House Academy. He worked as an attorney’s clerk and newspaper reporter until his Sketches by Boz (1836) and The Pickwick Papers (1837) brought him the amazing and instant success that was to be his for the remainder of his life. In later years, the pressure of serial writing, editorial duties, lectures, and social commitments led to his separation from Catherine Hogarth after twenty-three years of marriage. It also hastened his death at the age of fifty-eight, when he was characteristically engaged in a multitude of work. Jeremy Tambling is Professor of Comparative Literature at the University of Hong Kong.

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Product details

Paperback: 1024 pages

Publisher: Penguin Classics; Revised edition (December 28, 2004)

Language: English

ISBN-10: 0140439447

ISBN-13: 978-0140439441

Product Dimensions:

5.1 x 1.8 x 7.8 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

1,313 customer reviews

Amazon Best Sellers Rank:

#43,356 in Books (See Top 100 in Books)

This could be the height or the depth of Dickens' art. It is up to you.David Copperfield is such an empty vessel, such s pliable lump of clay. How could anyone take interest in him?He does not mark the world but seems to take on the shape impressed on him by those around him. He does not affect the world but is affected by it. If you stop there,, he is the most boring character in the world.But if you watch closely, you will see that he gathers shape from the honest and good hearted around him and seems unaffected by the cruel and heartless people around him. As he grows, he becomes more worthy and more a magnet to the honest and. good hearted. As he becomes more worthy, his story becomes more profound and insightful, if you can see it. Is Dickens a moldy 18th century relic or a mirror to wholeness and richness in your life? It is more up to you than to Dickens.

One of the best books ever written. You will never forget David C! I don't know how I missed it growing up but a book reviewer in the WSJ alluded to it and said that the main character in his book was much like David: you are sad at the end that you will never get more of him. I broke with my "best seller" policy, and love of spy novels and action books, and ordered it. I can't wait for bedtime to get another hour of reading in of this 1000 page paperback I got fro m Amazon. yes, the start is a little slow until one becomes accustomed to the language and phrasing of the time, but by page 50 the book owns you. Dickens really rocks~!

An important literary work that's also a joy to read.There are a few Kindle versions, including a free one and this $1.99 one.I have both, and the only difference is the $1.99 version includes the 38 images by Hablot Browne from the original serial installments (19 monthly installments of 3 chapters each, released during 1849-1850, with 2 images per installment) and the first edition of the book (1850). Browne did the illustrations for 10 of Dickens' novels.The images in the Kindle version are low-resolution scans of the original images (or perhaps scans of other scans).On the Kindle Paperwhite, I don't think the images look very good, and some detail is hard to make out on some of the images. On the 10" iPad running the Kindle app, the images are much easier to see, both in their original size and when blown up to take up almost the full screen. However, the low-resolution images don't look very crisp on the high-resolution iPad display.I'll attach pictures of the same image on the Paperwhite and the 10" iPad (running the Kindle app) in hopes they'll help give you a better idea what you're getting for $1.99 on either device.Note that you can see all the images online for free. (I'll put a link in the first comment.) However, the site I link to doesn't tell you where each image belongs in the book, which chapter it goes with. I guess that's the biggest reason I can think of to pay the $2 - the Kindle book has each image embedded in the place where it appears in the print version of the book. The images are of historic significance, each one adds to the story (the artist was working with Dickens), and I enjoy them a lot.Just set your expectations low if you're getting it for your Paperwhite.

My Grandfather introduced me to Dickens on my tenth birthday, giving me Oliver Twist and stating, (as I was a voracious reader even then) "If you haven't read Dickens, you haven't read." Well... I cannot comment on that but I had read most of Dicken's before I was twelve and in my second (or third) reading of some of his books I have just finished re-reading David Copperfield. A very large book...coming in at eight hundred odd pages in my edition (which also has the most delightful pen and ink illustrations) be ready for a long but satisfying journey into the life and times of Dickens.Dickens stated David Copperfield was his 'favourite child' .... he was well pleased with the result and many claim it was largely autobiographical.Yes.... I love it...although very wordy and descriptive... but not my favourite. I much prefer Great Expectations or Tale of Two Cities.However once again the reader is treated to a bevy of unforgettable characters. Apart from David Copperfield, there is his austere but warm and giving Aunt, Betsy Trotwood.... the charming and loquacious Micawber and his doting wife, the dreadful Murdstone siblings, the vile and undulating Uriah Heep and the simple but loveable character of Mr Dick. Dickens somehow manages to name his characters in such a way the name befits the character.... like the loving Peggotty... David's childhood nurse. Long before a descriptive word was read I could picture this warm and loving woman.Sadly Charles Dickens died early in life at the age of fifty eight. Nonetheless he was incredibly prolific, and in an era where the production of a novel must have been quite a task, this in itself is remarkable. I salute Charles Dickens.... who wrote many masterpieces and is still being read almost two hundred years later and perhaps for many years to come.

In my last quarter century, I am reading a "booket list" of classics that I had missed in the past. Up to reading "Copperfield," my favorite was "The Count of Monte Cristo" by Dumas. Now I have a new favorite. In my mind, this is the perfect novel. The characters are so different and so effortlessly revealed. I felt like I really knew these people. It was interesting to me how he allows you to encounter his characters as they reappear surprisingly later in the story. It is so well woven together and such a pleasure reading! And it includes a great love story.

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Download Bugs! Bugs! Bugs!, by Bob Barner

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Bugs! Bugs! Bugs!, by Bob Barner

Bugs! Bugs! Bugs!, by Bob Barner


Bugs! Bugs! Bugs!, by Bob Barner


Download Bugs! Bugs! Bugs!, by Bob Barner

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Bugs! Bugs! Bugs!, by Bob Barner

About the Author

Bob Barner is a longtime Chronicle author and has written and illustrated more than 25 books and gifts. He lives in San Francisco.

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Product details

Age Range: 5 - 6 years

Grade Level: Preschool - Kindergarten

Paperback: 32 pages

Publisher: Chronicle Books; Reprint edition (March 14, 2017)

Language: English

ISBN-10: 1452161372

ISBN-13: 978-1452161372

Product Dimensions:

8 x 0.2 x 8 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

57 customer reviews

Amazon Best Sellers Rank:

#28,929 in Books (See Top 100 in Books)

This book is quite juvenile. While reading the description, it says for ages 2-6, but I would say at most to age 4. It is adorable, but definitely intended for very young children, and not school aged children. It has fund pictures and rhymes, but the age appropriation was my only issue.

I think this is a great book for children from birth to age 6 or 7. The illustrations are wild and wacky collages, showing insects with anatomical accuracy but also cartoonish personality.Eight insects are each described in rhyming phrases. At the end there is a page showing all the bugs in their actual size, and then there is a chart that lists the bugs and compares their characteristics (where does it live, how many legs, etc.) These pages add a "multi-media" aspect that keeps kids interested.The thing I like most about this book is that although the text is sweet and melodic, it has scientific content. Each phrase describes a real aspect of the insect (A long line of ants that work so much, Roly-poly bugs that curl up when I touch). The book also introduces pictoral and graph comparisons and the idea of taxonomy in a fun way, preparing kids for further studies in science.

This book is colorful and fun to read. I bought it for my daughters who were not quite 2 at the time and we read this book until it fell apart. Definitely a favorite for a long time.

The art work through out the book will keep a child's attention from beginning to end - it is so vibrant and reflects bugs in a whimsical but accurate portrayl. This book is also accurate as to the information that it shares with the reader about the different types of bugs. This is the perfect book for young adventurerers who want to go out and find their own bugs without any fear. Shared this with my 2 and 5 year old granddaughter's and they always ask to read it again when they come over. Just wait until spring and we can go out and find our own bugs!

My granddaughter favorite book. Cute and a fast read.

Love this book! I read this to my preschoolers. They love all of the bugs. We also read it and then get up and move like each bug. This book is requested often in my classroom.

Passed the kids test.

Two-year-old loves it!!

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PDF Ebook Physics for Scientists & Engineers with Modern Physics (4th Edition)

When first opening this book to read, even in soft data system, you will certainly see just how guide is created. From the cove we will certainly also find that the writer is actually terrific in making the viewers really feel attracted to find out more as well as a lot more. Ending up one page will certainly lead you to read next page, and also better. This is why Physics For Scientists & Engineers With Modern Physics (4th Edition) has many followers. This is just what the writer describes to the viewers and utters the significance

Physics for Scientists & Engineers with Modern Physics (4th Edition)

Physics for Scientists & Engineers with Modern Physics (4th Edition)


Physics for Scientists & Engineers with Modern Physics (4th Edition)


PDF Ebook Physics for Scientists & Engineers with Modern Physics (4th Edition)

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Physics for Scientists & Engineers with Modern Physics (4th Edition)

Product details

Hardcover: 1328 pages

Publisher: Pearson; 4 edition (September 4, 2008)

Language: English

ISBN-10: 0131495089

ISBN-13: 978-0131495081

Product Dimensions:

8.5 x 1.9 x 11.1 inches

Shipping Weight: 6.5 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

209 customer reviews

Amazon Best Sellers Rank:

#24,795 in Books (See Top 100 in Books)

The book came in perfect condition. Giancoli is the premium standard for high school and college physics books. They are well written and contain a variety of problem that make you think about the material in a different way. It is a great suppliment for classroom learning. As an Petroleum Engineering major, this book should have 5 stars. But the main issue I have is the price of the book, which is why I only gave it 4 stars. I do not believe college students should have to pay that astronomical price. The price of this book can equal the price of the class, and that is not good.

I took Physics 1 and Physics 2 at different schools, so I used two different textbooks. I have got to say that I found this book to be somewhat vain. The chapters have short explanations of the material followed by lots of examples, the book almost dives into the examples right away. At the end of each chapter there will usually be a section for things like "physics in real life." These sections are almost useless and irrelevant to the course. The professor almost always skipped them.With all the examples and the physics applied sections I feel as though the author tries to impress the world with everything that he knows about the subject. The book briefly explains the fundamentals and goes right into the examples, leaving the reader with the need to fill in gaps and make assumptions about the material.The other book that I used was Fundamentals of Physics by Resnick and Walker. I found that book to be much more sound and focused on teaching the fundamentals first. It was a lot easier for me to learn from this book.I just want to say that I'm not just a college kid complaining about something that didn't go my way. I made good grades in both physics classes. I am just giving my opinion of the two books.In the end, we don't get to choose what books we use for our classes, but I just thought that I would share this.

I hate this book on a visceral level. It's about a paragraph of an explanation and then overly complicated examples. It very poorly teaches the already difficult subject.

This book provides an excellent supplement to my physics 1 class. I find that reading the chapters really clarifies the concepts discussed/taught in my lecture and recitation, as the professors can get...distracted (physicists, am I right?) and ramble off topic. I also bought this because they recommended the 4th edition, but that was about a thousand dollars and there's really no difference between the two. Even most of the questions are the same. I'd recommend this for physics 1 students who want to save a few bucks.

I bought this because the text for my class is a worthless convoluted piece of crap that assumes you already have two semesters and A's in the classes it is for... and now it is going to show you fancy notation and pictures.This book from Giancoli, however, is amazing. I learn from this book in order to do the problems from my required text.If you are a physics professor, do not use Tipler, use Giancoli. Tipler assumes you already know physics, or want to spend hours a day in self discovery, sorry I am not Isaac Newton.

A very well written book, this book is good for all learners. Every point is explained very clearly, and yes, there is an example for every case!!!!!!

I enjoy this book. It seems to be alot more difficult than my tests so I figure if I can read and study the book and understand it then I'm definitely all set.

This text is one of the best books I have used. The wide array of subjects covered, and the relevance of the material to certain groups, as indicated in the title, is spot-on. There are countless fields to which the concepts contained herein could be applied. Whether you need the knowledge for functional purposes, or like me, just want to expand your knowledge base, this text is outstanding. Clear, concise concepts, and brilliant literature to express the points.

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File Size: 1011 KB

Print Length: 354 pages

Page Numbers Source ISBN: 0807083275

Publisher: Plunkett Lake Press (May 31, 2013)

Publication Date: May 31, 2013

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00D50BA7E

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Amazon Best Sellers Rank:

#637,898 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

"Pillar of Salt" is a remarkable autobiographical novel about coming of age in the Jewish ghetto of Tunis during the 1930s and 1940s. Besides providing an enjoyable narrative, Memmi conveys a vivid picture of the impact of French colonialism on Tunisian society in general and on Tunisian Jews in particular. It is a study of multiple alienation, at once from traditional Jewish culture, Tunisian Muslim culture, and French culture. Memmi's work also sheds light on the little known story of the Holocaust in Axis-occupied Tunisia as well as the growth of zionism among North African Jews.This book is a must read for anyone interested in French colonialism, North Africa, and modern Jewish history. It is also simply a good read.

This (semi)autobiographical book was written in the mid fifties. It deserves to be plucked from obscurity and placed among the better novels of the 20th century. Artful prose tells the story of a boy growing up in colonial Tunis. He is at the crossroads of Jewish, French, African and Moslem/Arab culture. He is unable to assimilate all these influences into his life, so he rejects his background and is left with a void he cannot fill. Highly recommended.

This was interesting in that it gives a clear picture of Algeria in the first part of the 20th century. More multicultural than I had really understood.

read this book. read this book. read this book if you ever want to have a sense of what it meant to be a tunisian jew.

This is a great book about the life of an African Jew covering pre and postwar France. Compelling and thought provoking!

This is a well-written novel about the life of a Jewish Tunisian boy, growing up in the years leading up to WW2. It is generally considered to be autobiographical, and though the narrator’s name is not the author’s, it reads more like a memoir than a novel: it records Alexandre’s memories and thoughts about his life, but has few if any traditional scenes and very little dialogue or physical description; the detail is primarily emotional. And yet, the specific incidents that make up the narrator’s experiences feel drawn from life, rather than the types of occurrences an author is likely to invent.The first section of the novel is about Alexandre’s childhood, and it begins in almost idyllic fashion, though it gains complexity as he becomes aware of his family’s poverty and the divisions in his society. The second and longest section follows him through high school, torn between the traditional lifestyle of his family (who come to resent allowing him to study at all, since it means not bringing in money) and the European middle class. This part of the book reminded me of Ferrante’s Neapolitan novels in its examination of social class, through the lens of an impoverished student trying to succeed in an almost foreign world. The final section is about WW2 and the German occupation, and while this is by no means a thriller, it introduces some suspense and is a different sort of war story than I’d read before.At any rate, I enjoyed this book: it is well-written (or well-translated), and the narrator is complex and feels genuine. While there’s no single plot, the story kept my interest, and formed a great introduction to the complexities of a place I knew next to nothing about. The supporting characters receive less development, and there are more of them than we could get to know well – again, in memoir-like fashion – but in a story focused on the narrator’s search for identity, it works. I would recommend this one.

I was looking forward to reading this because I am going to Tunisia and I love literature, especially if it's challenging literature. But instead of being challenging, I found this narrative quite tedious and eventually annoying. It reads is almost like a Woody Allen parody of an existential memoir. Memmi is totally self-absorbed and alienated almost from birth. As a kid he is alienated from his parents, from other kids, from his culture--enough already. Remember the scene of the young Woody/Alvy going to a psychiatrist in "Annie Hall"? I swear it's young Memmi:Alvy's mother: He's been depressed. All of a sudden, he can't do anything.Doctor: Why are you depressed, Alvy?Alvy's mother: Tell Dr. Flicker. (To the doctor) It's something he read.Doctor: Something he read, huh?Alvy: The universe is expanding...Well, the universe is everything, and if it's expanding, some day it will break apart and that will be the end of everything.Alvy's mother: What is that your business? (To the doctor) He stopped doing his homework.Alvy: What's the point?

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