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Karl Marx and World Literature
Free Download Karl Marx and World Literature
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Review
“Prawer’s book is a milestone: the first important, very well informed and open, non-marxist study in dept of Marx on literature.”—Lee Baxandall, author of Marxism and Aesthetics: A Selective Annotated Bibliography“Here is a major book on Marx, the imagination of history, and nineteenth-century literary taste, executed with standards of scholarship as rare among Marx’s adherents as among his detractors.”—Bruce Erlich, Prairie Schooner“By clarifying Marx’s countless allusions not only to the classics of literature but also to more obscure writings, Prawer enhances our understanding and appreciation of Marx’s argument. Since few of us have the remarkable literary range of Marx, Prawer is an invaluable guide through the labyrinth of Marx’s literary metaphor.”—David MacGregor, Contemporary Sociology“The detail is fascinating and precise. I have discovered only two sources not noted by Professor Prawer, and fear that even these he knows.”—Roy Pascal, translator of The German Ideology by Marx and Engels“A learned, useful and entertaining book.”—Times Literary Supplement“While it is not possible to summarize so richly illustrated a work ... it will no longer be quite so easy for writers on Marx to ignore, glide over, or repress the aesthetic dimension so skillfully evoked by Prawer.”—Theodore Mills Norton, American Political Science Review“A landmark in comparative literature.”—George Steiner
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About the Author
S. S. Prawer (1925–2012) was Taylor Emeritus Professor of German Language and Literature at the University of Oxford, and a Fellow of Queen’s College, Oxford. His many books include Caligari’s Children, A Cultural Citizen of the World: Sigmund Freud’s Knowledge and Use of British and American Writing, and Karl Marx and World Literature.
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Product details
Paperback: 464 pages
Publisher: Verso; Second Edition edition (July 18, 2011)
Language: English
ISBN-10: 1844677109
ISBN-13: 978-1844677108
Product Dimensions:
5.1 x 1.2 x 7.8 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
28 customer reviews
Amazon Best Sellers Rank:
#1,388,940 in Books (See Top 100 in Books)
This book provids a good background on the Egyptian "revolution" (or whatever we want to call it) of January-Feb 2011. It focuses centrally on the We Are All Khalid Said Facebook page (the arabic one, not the English one that followed). She provides a good deal of information about how it started, and the two admins behind it--one of whom she interviewed extensively (not Wael Ghonim but the other one, whom she considers the "real" activist). She also follows the page through the subsequent developments in Egypt, through the coup that replaced Morsi. Her focus on the Facebook page is both the book's strength and its weakness: a strength because she describes an important event and the people who were involved; a weakness because she focuses too exclusively on the facebook page itself and not enough on what else was going on around it. The book comes off a bit narrow and makes too much of the Facebook page as a way of judging what she considers the political failure of the "revolution." It failed, she says, because the facebook admins chose the strategy of martyrdom (making Khalid Said into a martyr). This strategy doomed the revolution to failure because it purifies Egypt and Egyptians, hiding the problems of society within a false cloak of saintliness.What's needed instead, she argues, is "the Idea," which will require thinking beyond all past ideologies and dogmas. The most controversial part of that utopian line of thought is that Herrera expects this to come from the new evolving "virtual intelligence" that she sees developing out of hackers and other "digital youth," who are experts of the "anti-mechanism" (decoding, revealing, etc.) This argument, on which the book ends, struck me as an especially unfortunate example of cyberutopianism, but from a left perspective.Finally, the book felt a bit "quick." Its documentation was at times slight and its exposition a bit rushed. That said, it's very readable, and short -- one can read this in an evening -- and there's a lot to be said for quick, accessible books.
"Learned, useful, and entertaining." Or so runs the "Times Literary Supplement" blurb top and centre on the cover of a recently purchased paperback edition of S.S. Prawer's, "Karl Marx and World Literature." Such-said "blurb," simply, embodies a demeaning trivialisation of this fascinating, erudite study of Oxford professorial provenance. Prawer, patently, knows his Marx from the ground up. Furthermore, a profoundly intuitive exhibition of "world literature" connoisseurship is invariably evinced. Thus, apodictically armed with the aforesaid attributes, Professor Prawer's correlative construction constitutes a volume conducive both to neglect of sleep and dinner. Sophisticated, insightful, and incisive, Prawer's work will prove an invaluable addition to the library of any student or scholar of Marx.
Herrera discusses in great depth the origins and evolution of revolution in Egypt through it’s intensely virtual nature, and how the mediation of stories through social media users, bloggers, and their ability to be anonymous changed the balance of power in a historically repressive state. She gives a voice to the people behind the anonymous user names, and the struggles the had in constructing the “brands†they made for their approaches to specific causes, and the struggle of keeping those messages intact in the face of not only the regime they oppose, but also the captivating rhetoric of violence or extremism. Through online campaigns on Facebook and the blogosphere like #WeareallKhaledSaid paired with the momentum of the Tunisian revolutions, a few young Egyptians motivated and called to action a larger audience than could have ever been hoped for in pre-internet days. Perhaps, however, the swiftness that the online revolution brought was the Egyptian peoples’ downfall post-revolution, alongside the lack of commitment to one of the dualities of such pages, promoting non-violence, but also inciting notions that some (the police who killed Said, for example) do not deserve to live.Herrera also investigates the ways in which Western governments and tech moguls may have inserted themselves in the Eastern hemisphere to empower the revolution through things like “How-to†videos and youth outreach campaigns to promote democracy, citing an US Congressional expenditure of “$50 million to support technologies designed to circumvent Internet censorship, particularly in Iran and China.†She draws upon numerous primary and secondary sources to explain the Herrera discusses in great depth the origins and evolution of revolution in Egypt through it’s intensely virtual nature, and how the mediation of stories through social media users, bloggers, and their ability to be anonymous changed the balance of power in a historically repressive state. She gives a voice to the people behind the anonymous user names, and the struggles the had in constructing the “brands†they made for their approaches to specific causes, and the struggle of keeping those messages intact in the face of not only the regime they oppose, but also the captivating rhetoric of violence or extremism. Through online campaigns on Facebook and the blogosphere like #WeareallKhaledSaid paired with the momentum of the Tunisian revolutions, a few young Egyptians motivated and called to action a larger audience than could have ever been hoped for in pre-internet days. Perhaps, however, the swiftness that the online revolution brought was the Egyptian peoples’ downfall post-revolution, alongside the lack of commitment to one of the dualities of such pages, promoting non-violence, but also inciting notions that some (the police who killed Said, for example) do not deserve to live.Herrera also investigates the ways in which Western governments and tech moguls may have inserted themselves in the Eastern hemisphere to empower the revolution through things like “How-to†videos and youth outreach campaigns to promote democracy, citing an US Congressional expenditure of “$50 million to support technologies designed to circumvent Internet censorship, particularly in Iran and China.†She draws upon numerous primary and secondary sources to explain the controversial matter of internet freedom and how the ambiguous nature of internet usage can shift power back to the hands of agencies, like the US government, unbeknownst to followers of campaign pages, blogs, video channels, etc.She uncovers to us other campaigns in Egypt and the Arab world, and how they use different kinds of media from popular comics like V for Vendetta and specialized video editors to Memes to capture larger audiences and more follower by ascribing specific branding methods and supporting and refuting fellow internet campaigns. The variety of media presented offers us a glimpse into how the ease of creating an online revolution in such great and consolidated numbers leads to issues that include a lack of vision and end purposes because of the essential premise that anyone can change the conversation through the internet, and leave the reader pondering the real strength of ambiguous sponsorship and idea-generation. Is the counter power of ambiguity and leaderless-ness that Internet revolutions provide powerful enough to bring true democracy? Or does it leave a void in the nature of real change where a true leader should be?
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