Download , by Steven Ascher Edward Pincus
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, by Steven Ascher Edward Pincus
Download , by Steven Ascher Edward Pincus
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Product details
File Size: 34043 KB
Print Length: 830 pages
Page Numbers Source ISBN: 0452297281
Publisher: Plume; Revised, Updated edition (November 27, 2012)
Publication Date: December 4, 2012
Sold by: Penguin Group (USA) LLC
Language: English
ASIN: B008JHXQYS
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Amazon Best Sellers Rank:
#77,446 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
This book IS comprehensive, and covers the hardware of film making in detail. It's more than I need. I purchased "How to Shoot Video That Doesn't Suck," and thought this book would be a good follow up to that book. In truth, this book has way more information than I will ever need. I think it's an excellent source for those serious film makers who shoot professionally, but for the weekend video shoot, it's not necessary.So, if you're a serious film maker, this book will probably serve you well. For the amateur like myself, it's probably too much information to be of any practical use.
I had originally bought the 3rd edition by mistake, but loved it so much I bought the 4th edition.The book is broken up into a preface, 17 chapters and four appendices, and a few other smaller sections. Chapter's 1-8 go over pre-production material, chapters 9-12 go over production, and chapters 13-17 goes over post production. I've reprinted the chapter and appendix titles below, they pretty much explain what each chapter details.Chapter 1. Introduction to Digital and Film SystemsChapter 2. Before You Begin ProductionChapter 3. The Video CamcorderChapter 4. The LensChapter 5. The Video ImageChapter 6. The Film CameraChapter 7. The Film ImageChapter 8. Color and FiltersChapter 9. Shooting the MovieChapter 10. Sound Recording SystemsChapter 11. Sound Recording TechniquesChapter 12. LightingChapter 13. Picture and Dialogue EditingChapter 14. Editing Digital VideoChapter 15. Sound Editing and MixingChapter 16. Working with Film in PostproductionChapter 17. Producing and Distributing the MovieAppendix A. Adjusting a Video MonitorAppendix B. Data Rates and Storage Needs for Various Digital FormatsAppendix C. Depth of Field TablesAppendix D. Hyperfocal Distance TableAppendix E. Angle of View in Different FormatsAs others have noted, the information for each section topic can be found through a Google search; however, the book covers what you need to know in a concise, easy to follow format that articles online do not have in one location. The extra technical jargon and details the book does not cover can be found through Google searches - this book is best utilized as a primer and reference to KNOW what to research and learn when you specialize in other filmaking material. No one chapter is covers the entire in-depth scope of that the heading suggests, but essentially details the basics of what you need to know. If you want to learn more about the specifics of cinematography, or how to be a camera operator, you should purchase books or resources dedicated to that specific topic. As a general reference and primer to filmmaking, this is an excellent resource!
This may not be the most in-depth filmmaking guide in the world, but it certainly must be the most broad. The sheer breadth of well-explained concepts and principles makes this handbook the most useful practical guidebook I've ever read.There's a ton of material in here that will probably not apply to you. Not working with film? You could probably skip "The Film Camera" and "The Film Image." Or if you're handing your footage off to another editor, skip the sections on editing. But I would suggest another direction: Read it all, from cover to cover. The text is all interesting, well-written, and absolutely packed with great information. Even if you never touch a roll of 16 or 35mm film in your life, understanding where we came from and why we've adopted certain standards is knowledge well worth having.I had been making short films and videos for years before picking up this book, and I was amazed at how much I learned. I realized how many things I had been doing wrong - I was unaware of so many best practices and techniques that my next few films were notably more polished and better executed.In short, the book won't make you a professional, but it will make you MORE professional.
It is described as the Bible of filmmaking in many blogs. By all means, they are 100% right. It is a very technical book, that goes over each and every step in the development of a film, describing technology, physics, people, budgeting. Definitely worth leading and constantly review again afterwards if you are serious about filmmaking
I'm actually reading this book from cover to cover. Every now and then, I do skip a section- say, like when they talk about film equipment, as opposed to video (which I shoot.) It's very technical, but I believe that knowing the technical issues and technology is essential. Despite the technical bent, the book also has plenty of information on other aspects of film making, such as continuity, mise en scene, etc. I suppose that if you want to get more granular vis a vis the more artistic aspects of film making, you might want to add other books to your library as well. I am very glad I purchased this book.
This book is SUPER detailed. I have the kindle version, and use it as reading material while the sleeping pills kick in. Yes, it's dry and technical... but what do you expect of such an exhaustive tome on filmmaking. I feel like film school won't be worth the money by the time I'm done reading this cover to cover. Looking forward to finishing it (in the next month... melatonin works!)
As a screenplay writer I found this book to have all the answers. It takes you through the entire process of what it takes to get a screenplay to the Big Screen. All aspects of the film industry are included in this book. I highly recommend it for those of us new to the industry.
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